An exuberant return to the four unforgettable heroines of Waiting to Exhale--the novel that changed African American fiction forever.
Terry McMillan's Waiting to Exhale was more than just a bestselling novel-its publication was a watershed moment in literary history. McMillan's sassy and vibrant story about four African American women struggling to find love and their place in the world touched a cultural nerve, inspired a blockbuster film, and generated a devoted audience.
Now, McMillan revisits Savannah, Gloria, Bernadine, and Robin fifteen years later. Each is at her own midlife crossroads: Savannah has awakened to the fact that she's made too many concessions in her marriage, and decides to face life single again-at fifty-one. Bernadine has watched her megadivorce settlement dwindle, been swindled by her husband number two, and conned herself into thinking that a few pills will help distract her from her pain. Robin has an all-American case of shopaholism, while the big dream of her life-to wear a wedding dress- has gone unrealized. And for years, Gloria has taken happiness and security for granted. But being at the wrong place at the wrong time can change everything. All four are learning to heal past hurts and to reclaim their joy and their dreams; but they return to us full of spirit, sass, and faith in one another. They've exhaled: now they are learning to breathe.
Atlantis Complex by Eoin Colfer
In this seventh adventure in the blockbuster series, an army of fairy space probes havereturned to Earth reprogrammed to destroy Atlantis - and only Artemis Fowl can stopthem. As he races to save the subaquatic city, the young mastermind must also combat anonslaught of obsessive-compulsive and delusional disorders, both byproducts of prodigiousintellect and immense stress at an early age.
In his signature pairing of suspense and comedy, Eoin Colfer has woven another masterpiecesure to delight fans of the series and draw in a host of new followers.
Finders Keepers by Craig Childs
Childs (The Animal Dialogues) intermingles personal experiences as a desert ecologist and adventurer with a journalistic look at scientists, collectors, museum officials, and pot hunters to explore what should happen to ancient artifacts. Questioning whether artifacts should be left in place, Childs argues that although surface surveys and electronic imaging permit study of buried objects without digging, that reliance on technology risks the loss of the "physical connection to the memory of ancient people." Yet he mourns the loss of context that comes from removing, say, the Temple of Dendur from its natural environment. On the other hand, he scrutinizes the "stewardship" of past archeologists who removed sacred objects when "o one thought indigenous cultures would survive to start demanding their things back," returns now required by U.S. law. Childs is critical of museum facilities inadequate to protect items that archeologists removed from their sites precisely to preserve them from destruction. He is also unhappy with the legal sale of relics to collectors, which he believes led to "more digging and smuggling." His own "collection" consists of finds he has left in place across the Southwest. But, he says, artifacts that cannot safely be left in place should go to museums. This is an engaging and thought-provoking look at one of the art and artifacts' world's most heated debates.