Brandi Lynn Ryder signs her debut novel, In Malice, Quite Close, at The Poisoned Pen on August 9th at 7pm. (details here...) |
People are sometimes surprised when I describe myself as a “visual writer” – since writing is of course not a visual but a conceptual art. And yet I see and hear what is happening as clearly as if I were in a theater and struggle to type fast enough to take it all down. We are visual creatures; even in unconsciousness we dream, and I think it’s the attempt to make sense of this enigma of seeing and being that leads us, always, to art.
Like my character Tristan Mourault, I was mesmerized by beauty— and by all the landmines that lay beneath that powerful word-- almost from infancy, yet my mania for the visual arts and painting, in particular, came in college. An inspired Art History course became something I was anxious to consume at 8:30 in the morning. (Combined with a commute that had me rising before dawn, those who know me well realize what a miracle this is…) But there I sat transfixed, reveling in it. I’d lived in books all my life, and here were pictures to accompany the story: a great saga of magic tricks and illusion, a visual history of human pathos and imagination.
Édouard Manet: A Bar at the Folies Bergère |
The MET in NYC (www.metmuseum.org) |
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On Brandi Lynn Ryder's In Malice, Quite Close:
A haunting and sophisticated debut in which priceless art and unspeakable desires converge.French ex-pat Tristan Mourault is the wealthy, urbane heir to a world- renowned collection of art-and an insatiable voyeur enamored with Karen Miller, a fifteen-year-old girl from a working-class family in San Francisco. Deciding he must "rescue" Karen from her unhappy circumstances, Tristan kidnaps her and stages her death to mask his true crime.Years later, Karen is now "Gisele" and the pair lead an opulent life in idyllic and rarefied Devon, Washington. But when Nicola, Gisele's young daughter, stumbles upon a secret cache of paintings-all nudes of Gisele-Tristan's carefully constructed world begins to crumble. As Nicola grapples with the tragedy that follows, she crosses paths with Amanda Miller, who comes to Devon to investigate the portraits' uncanny resemblance to her long-lost sister.Set against a byzantine backdrop of greed, artifice, and dangerous manipulations, In Malice, Quite Close is an intoxicating debut that keeps its darkest secrets until the very last page.
"...sexy, artistic...a page-turner." - Publishers Weekly
"A modern gothic that emits a creepy glow..." - Kirkus Reviews
To find out more about author Brandi Lynn Ryder visit her website www.brandilynnryder.com
A literary page turner. Meaning that the characters have substance, yet its also got commercial qualities in that the story grabs you and doesn't let go. This will be one you will tell your friends about.
ReplyDeleteWow... I love this essay. Not only makes me want to read the book, it makes me want to take an art class!!
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