Monday, May 23, 2011

Interview with Jeff Guinn in AZ Republic


5/26: Q&A with 'Last Gunfight' author, in Scottsdale

Jeff Guinn deconstructs myth of O.K. Corral



"I'm your huckleberry."

Jeff Guinn

What: Author talks about and signs "The Last Gunfight."When: 7 p.m. Thursday, May 26. Where: Poisoned Pen, 4014 N. Goldwater Blvd., Scottsdale. Admission: Free, but books for signing must be purchased from the store ($27). Details:480-947-2974, poisonedpen.com.
Anyone who has watched Val Kilmer's deliciously sly portrayal of Doc Holliday in "Tombstone" - or any of the other dozen-odd movie retellings of the legendary "Gunfight at the O.K. Corral" - knows that Hollywood's version of the Wild West is a bit over the top.
In fact, most folks probably prefer it that way. But not Jeff Guinn, the Texas author who deconstructs this iconic moment in Arizona history in his latest book.
Guinn will be at the Poisoned Pen on Thursday, May 26, to sign his just-released "The Last Gunfight: The Real Story of the Shootout at the O.K. Corral - and How It Changed the American West" (Simon & Schuster, $27). He is also the author of "Go Down Together: The True, Untold Story of Bonnie and Clyde" as well as the novelistic "The Autobiography of Santa Claus."

Question: What is the mythical version of the shootout, and what does it tell us about America?

Answer: The mythology of the gunfight at the O.K. 
Corral - which was really not much of a gunfight and didn't happen at the O.K. Corral - is that good and evil faced each other in the American West, and when the smoke cleared and the bodies were dragged away, the West was saved for good men and women everywhere.
The fact is there were all kinds of social, economic and political factors involved that meant people who were on different sides of issues were inevitably going to collide in some way, probably violently. It just happened to be those eight men on that day. What that says about us culturally is that we like these things to seem simple. We like events to be clear-cut.

Q: But wasn't it the mythologized movie version that got you interested in the first place?

A: Of course. When you talk about Wyatt Earp, I see Hugh O'Brian riding a horse with the Buntline Special on his hip, even though it's pretty unlikely Wyatt actually carried a Buntline Special. All my books are about iconic events in American history, and anything that is iconic almost by definition has been exaggerated. I like to go back and try to understand better the events themselves or the people themselves, because when we really try to learn history, that's when we can understand ourselves a whole lot better.
What fascinated me was the real history of southeast Arizona. Tombstone was not this little dry, dusty outpost. It was a fabulously sophisticated place. There were some telephones. They were debating in city council meetings about how they were going to put sewer lines in the main streets and how much they would have to tax the businessmen to do that. It was an amazing story.

Q: What gets obscured in the iconic version?

A: A big change in the psychology of the people who were moving west came right after the Civil War. Previously, a lot of the folks who were settling the frontier come from the North, where there isn't a whole lot of land to be had, because jobs and industry are harder to come by because there's so much immigration. But after the Civil War, a lot of people in the South wanted to get away from the states that had been absorbed back into the Union and that they thought were under the thumb of the Yankee Republican government.
And that was a big part of what happened out in Tombstone. You had the businessmen who wanted to modernize everything and wanted a powerful government that was going to make sure that the laws were followed and taxes were paid. And you had all these folks now fleeing from an area in the country where they felt that the government was intrusive, and they just wanted to live their lives as they pleased, and anybody who was trying to tell them differently was the enemy to them. The Earps represented the business faction, the modernization, the folks that wanted that. The Cowboys - the Clantons and the McLaurys - represented the free spirits who just wanted to be out there and left alone.

Q: There have been some fictional efforts at deconstructing the myth of the Old West in recent years. Any thoughts on HBO's "Deadwood"?

A: You've got to remember that some types of art, movies, television, books, are meant strictly for entertainment purposes. They can take some truths and kind of expand on them and exaggerate them. I did watch "Deadwood" for several episodes, until I finally decided that the dialogue, with an obscenity every third word just to make sure we would remember that people did cuss in the Old West, got old for me.
I enjoy watching the various Tombstone movies now. It doesn't mean I think they're necessarily factual, but I think the storytelling's a lot of fun. The challenge in writing this book was to take the truth, what really happened, and challenge myself to make it every bit as entertaining as the mythology. There's no reason reading about real history has to be boring.


Read more: http://www.azcentral.com/thingstodo/stage/articles/2011/05/22/20110522last-gunfight-jeff-guinn-scottsdale-book-signing-ok-corral.html#ixzz1NES6B3Yc

Tuesday, May 17, 2011

Anthony Nominees



Great news this year! One of our regular bloggers on The Poisoned Fiction review has been nominated for an Anthony Award for best website this year(Chantelle Aimée Osman). If you get a chance head over to her website and say Hi. We are also happy to note that 4 out of the 5 authors nominated for best first novel signed at The Poisoned Pen.  To find out more about this prestigious award head over to the Bouchercon Website

 

 BEST WEBSITE/BLOG
Jen's Book Thoughts - Jen Forbus [www.jensbookthoughts.com]
The Rap Sheet - J. Kingston Pierce [therapsheet.blogspot.com]
Sirens of Suspense - Chantelle Aimée Osman [www.sirensofsuspense.com]
Spinetingler - Sandra Ruttan [www.spinetinglermag.com]
Stop, You're Killing Me! - Lucinda Surber, Stan Ulrich [www.stopyourekillingme.com]


BEST NOVEL
Crooked Letter, Crooked Letter - Tom Franklin [William Morrow]
Faithful Place - Tana French [Viking]
The Lock Artist - Steve Hamilton [Minotaur Books]
I'd Know You Anywhere - Laura Lippman [William Morrow]
Bury Your Dead - Louise Penny [Minotaur Books]
Crooked Letter, Crooked Letter: A NovelBury Your DeadFaithful Place: A NovelThe Lock Artist: A Novel
BEST FIRST NOVEL
Damage Done - Hilary Davidson [Forge Books]
Rogue Island - Bruce DeSilva [Forge Books]
The Poacher's Son - Paul Doiron [Minotaur Books]
The Sherlockian - Graham Moore [Twelve]
Snow Angels - James Thompson [Putnam]
The Damage DoneRogue IslandThe Poacher's Son (Mike Bowditch Mysteries)The SherlockianSnow Angels (An Inspector Vaara Novel)
BEST PAPERBACK ORIGINAL
Long Time Coming - Robert Goddard [Bantam]
The Hanging Tree - Bryan Gruley [Touchstone]
Drive Time - Hank Phillippi Ryan [Mira]
Expiration Date - Duane Swierczynski [Minotaur Books]
Vienna Secrets - Frank Tallis [Random House]
Long Time Coming: A NovelThe Hanging Tree: A Starvation Lake Mystery (Starvation Lake Mysteries)Drive Time (Charlotte Mcnally)Expiration DateVienna Secrets: A Max Liebermann Mystery (Mortalis)
BEST SHORT STORY
"Scent of Lilacs" - Doug Allyn, EQMM Sep/Oct'10
"Swing Shift" - Dana Cameron, Crimes By Moonlight: Mysteries from the Dark Side [Berkley]
"The Hitter" - Chris F. Holm, Needle: A Magazine of Noir Summer'10
"So Much in Common" - Mary Jane Maffini, EQMM Sep/Oct'10
"Homeless" - Patricia L. Morin, Mystery Montage: A Collection of Short Story Mystery Genres [Top]
"The Frame Maker" - Simon Wood, The Back Alley Webzine Vol III No.3

BEST GRAPHIC NOVEL
Scalped Vol 6: The Gnawing - Jason Aaron [Vertigo]
Richard Stark's Parker, Vol 2: The Outfit - Darwyn Cooke [IDW Press]
Tumor - Joshua Hale Fialkov, Noel Tuazon [Archaia Studios Press]
Sickness in the Family - Denise Mina [Vertigo]
Beasts of Burden - Jill Thompson, Evan Dorkin [Dark Horse]
The Chill - Jason Starr [Vertigo]

BEST CRITICAL/NONFICTION
The Wire: Truth Be Told - Rafael Alvarez [Grove Press]
Agatha Christie's Secret Notebooks - John Curran [Harper Collins]
Sherlock Holmes for Dummies - Steve Doyle [For Dummies]
Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History - Yunte Huang [W W Norton]
Thrillers: 100 Must Reads - David Morrell [Oceanview]

Monday, May 16, 2011

Barbara's eNews now available on Kindle

Barbara's News

In an odd twist, we are able to publish our blogs so that you can read them on your Kindle. What we've done in this case is to have Barbara's eNews which goes out 2-3 times a week come directly to your Kindle. Having this feature does cost $1.99 per month for an otherwise free service, but it does give you added convenience. Just visit the Amazon blog page here to subscribe. 


Thursday, May 12, 2011

Arthur Ellis Shortlist


THE 2011 ARTHUR ELLIS SHORTLISTS
arthur-200
Best Crime Novel
A Criminal to Remember, Michael Van Rooy, Turnstone Press
Bury Your Dead, Louise Penny, Little, Brown UK
In Plain Sight, Mike Knowles, ECW Press
Slow Recoil, C.B. Forrest, RendezVous Crime
The Extinction Club, Jeffrey Moore, Penguin Group

Best First Crime Novel
The Damage Done, Hilary Davidson, Tom Doherty Associates
The Debba, Avner Mandelman, Random House of Canada
The Penalty Killing, Michael McKinley, McClelland & Stewart
The Parabolist, Nicholas Ruddock, Doubleday Canada
Still Missing, Chevy Stevens, St. Martin's Press

Best French Crime Book
Cinq secondes, Jacques Savoie, Libre Expression
Dans le quartier des agités, Jacques Côté, Éditions Alire
La société des pères meurtriers, Michel Châteauneuf, Vent d’Ouest
Quand la mort s'invite à la première, Bernard Gilbert, Québec Amerique
Vanités, Johanne Seymour, Libre Expression

Best Crime Nonfiction
Northern Light, Roy MacGregor, Random House
On the Farm, Stevie Cameron, Alfred A. Knopf Canada
Our Man in Tehran, Robert Wright, HarperCollins Canada

Best Juvenile/YA Crime Book
Borderline, Allan Stratton, HarperCollins
Pluto's Ghost, Sheree Fitch, Doubleday Canada
The Vinyl Princess, Yvonne Prinz, HarperCollins
The Worst Thing She Ever Did, Alice Kuipers, HarperCollins
Victim Rights, Norah McClintock, Red Deer Press

Best Crime Short Story
In It Up To My Neck, Jas R. Petrin, Alfred Hitchcock Mystery Magazine
So Much in Common, Mary Jane Maffini, Ellery Queen Mystery Magazine
The Big Touch, Jordan McPeek, Thuglit.com
The Piper's Door, James Powell, Ellery Queen Mystery Magazine
The Bust, William Deverell, Whodunnit: Sun Media’s Canadian Crime Fiction Showcase
Best First Unpublished Novel
(Unhanged Arthur)
Better Off Dead, John Jeneroux
Uncoiled, Kevin Thornton
When the Bow Breaks, Jayne Barnard



The Crime Writers of Canada – How it all began

By Tony Aspler, founding President
In the summer of 1982 seven men with criminal intent met in Dooley’s bar, a suitably insalubrious downtown Toronto watering hole for what we had in mind. The co-conspirators were the late Derrick Murdoch, mystery reviewer for The Toronto Star, British novelist Tim Heald, book reviewer, the late Doug Marshall, editor John Pearce, authors Howard Engel, Larry Morse and myself. The noise in the establishment was such that we were driven out to the more lofty and salubrious surroundings of the rooftop bar in the Park Plaza.
The purpose of the meeting was to form an association of crime writers modeled on the Crime Writers of Great Britain. Although my genre at the time was political thrillers (I co-wrote three with Gordon Pape – ‘Chain Reaction’, ‘The Scorpion Sanction’ and ‘The Music Wars’) I was voted by default, to be the first President of the fledgling Crime Writers of Canada.
For the first year we met monthly in a room at the Toronto Reference Library, a fitting venue since it houses one of the world's foremost collections of library materials devoted to the life and works of Arthur Conan Doyle. At those early meetings we would invite an expert in different aspects of crime – cops, forensic scientists, criminal lawyers, etc. Eddie Greenspan was one of our guests whom we subsequently co-opted into presenting the Arthur Ellis Awards. These awards were named after the nom de travail of Canada’s hangmen. The wooden statuettes (a condemned man on a gibbet whose arms and legs flail when you pull a string – considered by some to be in execrable taste) were designed under the supervision of Tim Wynn-Jones, who subsequently retreated from the crime fold to write children’s books. (See note below)
The first recipient of the Arthur Ellis Award, in those days a single prize for the best novel published the previous year, was won by Eric Wright for ‘The Night The Gods Smiled,’ beating out works by William Deverell and Ted Wood. Next year it was Howard Engel for his second Benny Cooperman novel, ‘The Ransom Game.’ Both Eric and Howard would in turn ascend the throne of the Presidency of the Crime Writers of Canada. We used to publish a quarterly newsletter called ‘Fingerprints’ and the first item was the President’s letter, titled ‘Speech from the Throne.’
For my part, I returned to pure crime fiction with ‘Titanic’ and a series of Ezra Brant wine murder mysteries, ‘Blood Is Thicker Than Beaujolais’, ‘The Beast of Barbaresco’ and ‘Death on the Douro.’ I’m currently working on ‘Nightmare in Napa.’
A note on Arthur by Tim Wynn-Jones
I'm happy to clarify Arthur's history. It was my job to head the committee, as Tony said. And my big contribution, as far as I'm concerned, was in realizing that a book prize is kind of a stage prop. The darn thing should look good in somebody's hands as well as on their mantel. So I thought to go to a stage designer, Peter Blais, who happened also to be a wonderful actor, and who happened to be someone I had acted with and knew to have a wicked sense of humour. He got it! He understood what I was trying to say and came up with the jumping jack. So Peter very much deserves the kudos for Arthur and I'm just pleased to have got him on board. It's the best prize around, as far as I'm concerned. I'm lucky enough to have won one and also to have won an Edgar and Arthur beats Edgar all to heck!